Bangladeshi photographer Shadman Shahid was recently selected by the prestigious British Journal of Photography for its Ones to Watch–2016 listof emerging global photographic talent. A graduate of Dhaka’s famous Pathshala South Asian Media Institute, his work emerges from a deeply personal space and expresses itself in moving documentary as well as intimate and carefully constructed psychological imaginings.
Last week, Scroll.in had a conversation with Shahid about his work, his vision and the challenges of being an artist in contemporary Bangladesh.
Tell us a bit about your family background. Was it artistic? And what drew you to the camera?
I was born to two loving and overprotective parents. They are both journalists. I grew up in a joint family and my paternal uncle was also living with us. He was an artist. I enjoyed his company and he was the resource for art, music and culture for me. However, I was too safe and satisfied with my life to be interested in art at that point. I started photography after he died very young. I like to think growing up watching him influenced me.
At one point in my life, I had decided to become a filmmaker. I wanted to hone my film-making skills. One of my Pathshala teachers introduced us to the work of Julia Margaret Cameron. About her photograph “The Echo”, the teacher said that “it’s one of those pictures that will haunt you at night when you are trying to sleep.” I could see what he meant and why he was so passionate about photography. It was one of the moments that drew me closer towards the camera. [Full interview with more images here]